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 Don't Stop The Party from The Black Eyed Peas

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Le Grenier de Yann M.
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Date d'inscription : 23/11/2005

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MessageSujet: Don't Stop The Party from The Black Eyed Peas   Don't Stop The Party from The Black Eyed Peas - Page 21 Icon_minitimeMar 24 Mai 2011 - 7:07

Rappel du premier message :

Excellent mardi à tous !



Dernière édition par Sir Archibald Waters le Ven 8 Mar 2013 - 0:33, édité 1 fois
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MessageSujet: Re: Don't Stop The Party from The Black Eyed Peas   Don't Stop The Party from The Black Eyed Peas - Page 21 Icon_minitimeMer 11 Sep 2013 - 22:27

CHRIS REA WATER SIGN





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Bon Jovi Slippery When Wet-1986


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Duke Ellington - C Jam Blues (1942)





Citation :
Mise en ligne le 7 sept. 2007
A 1942 recording of C Jam Blues beformed by Duke Ellington and a collection of other Jazz giants in a famous recording called "Jam Session".

Other artist included Barney Bigard, Sonny Greer, Ray Nance, Joe 'Tricky Sam' Nanton, Rex Stewart, and Ben Webster.

Use this link to open my Jazz Giants library playlist. https://www.youtube.com/cp/vjVQa1PpcFN... EUdGs6FKg=


Dernière édition par Marquise des Loups le Ven 13 Sep 2013 - 12:02, édité 1 fois
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Don't Stop The Party from The Black Eyed Peas - Page 21 Ebony_10


Duke Ellington and his Orchestra - 1934


Don't Stop The Party from The Black Eyed Peas - Page 21 Ebony_10




Citation :
Mise en ligne le 14 sept. 2007
Duke Ellington and his Orchestra - perform "Ebony Rhapsody" - 1934
Don't Stop The Party from The Black Eyed Peas - Page 21 Ebony_11

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John Coltrane Blue Train

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Thelonious Monk, Dizzy Gillespie, Giants Of Jazz Copenhagen 1971


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MessageSujet: Re: Don't Stop The Party from The Black Eyed Peas   Don't Stop The Party from The Black Eyed Peas - Page 21 Icon_minitimeMar 17 Sep 2013 - 12:02

Et les chutes du Rhin s'en souviendront longtemps longtemps après que le poète soit disparu Au Diable Vauvert perdu entre deux rangs nus ...  



Beth Hart - Whole Lotta Love


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MessageSujet: Re: Don't Stop The Party from The Black Eyed Peas   Don't Stop The Party from The Black Eyed Peas - Page 21 Icon_minitimeMar 17 Sep 2013 - 13:38

A wild and sweet pub bien allongée, bravo à tous les participants; de la conception créatrice aux acteurs :bravo:






...
http://fr.wikipedia.org/wiki/Whole_Lotta_Love
...
http://pyzeppelin.free.fr/traductions/traduction_wholelottalove.htm
...
:fum:
Special Thanks to Mosquito pour ce branché de tuyau dont tout le monde raffolera entre deux draps de satin de coton plats
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MessageSujet: Re: Don't Stop The Party from The Black Eyed Peas   Don't Stop The Party from The Black Eyed Peas - Page 21 Icon_minitimeJeu 19 Sep 2013 - 18:41

Count Basie & Helen Humes - I Cried for You (approx 1938)

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I Cried for You . Billie Holiday 1936




Citation :
Mise en ligne le 21 juin 2008
I Cried for You . Billie Holiday 1936
This tune became Billie's biggest hit for the Brunswick recording company. Avarage sales of the Holiday recordings with Teddy Wilson would be in the 3.000 mark. However this one sold more than 15.000 78's. The Johnny Hodges saxophone solo became a sample for every saxophonist and Billie's version was just as good. One of the reason's this did so well could be in the fact that this one of the first standards she recorded. The tune had been around since 1923 and in the public mind.
Other members in the Teddy Wilson Orchestra were Harry Carney on bariton sax, Lawrence Lucie guitar, John Kirby bass and Cozy Cole drums

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[Gracie Fields - You're Driving Me Crazy (What Did I Do?) 1931



Citation :
Mise en ligne le 16 mai 2011
Dame Gracie Fields, DBE (born Grace Stansfield, 9 January 1898 -- 27 September 1979), was an English-born, later Italian-based actress, singer and comedienne and star of both cinema and music hall.
"You're Driving Me Crazy" is a U.S. popular song composed (music and lyrics) by Walter Donaldson for the 1930 musical comedy Smiles. It was recorded the same year by Guy Lombardo & His Royal Canadians (with vocal by Carmen Lombardo) and became a hit. It was also recorded in 1930 by McKinney's Cotton Pickers and in 1931 by Rudy Vallee & His Connecticut Yankees and by Nick Lucas & His Crooning Troubadors. Nick Lucas's version, released on Brunswick, was a No. 7 hit: Brunswick 4987 (E-35404).
In 1931, cartoon character Betty Boop sang a sexy version of the song in the pre-code cartoon Silly Scandal. As Boop sang the song, her dress slipped down repeatedly, revealing a lacy bra and causing her to squeal. Later in the song, Betty was joined on stage by a line of mechanical dancing penguins who stomped out the beat in accompaniment to her singing.
"You're Driving Me Crazy" has become a standard that has been recorded by over 100 artists in many genres. The signature line: "You, you're driving me crazy! What did I do?...." is familiar to most anyone who listened to pop music in the 20th Century.[citation needed] The artists who have recorded the song include many of the greatest artists of the century, including Billie Holiday, Chet Baker, Frank Sinatra, Ella Fitzgerald, Louis Armstrong, Sarah Vaughan, Mel Tormé, Della Reese, Betty Carter, Django Reinhardt, Peggy Lee, and Lester Young. A version by The Temperance Seven made number one in the UK in 1961.
The song has also been performed in the movies including:
The 1931 Paramount Betty Boop cartoon Silly Scandal noted above.
Fleischer Studios 1931 cartoon called Screen Songs, with jazzy scat singing of "You're Driving Me Crazy" by various animals. There is a dancing lion which looks like Betty Boop, monkeys and other animals, including a Cab Calloway sound-alike.
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Guy Lombardo - You're Driving Me Crazy (1930)



Belle mise au jeu d'images via le son accentuant ainsi le feeling tout à fait volage en haut voltage du ton Wink!
Citation :
Mise en ligne le 10 nov. 2010
You're Driving Me Crazy ! (What Did I Do)
Words and Music by Walter Donaldson
Performed by Guy Lombardo and His Royal Canadians
Recorded November 11, 1930
Columbia 2335-D

Guy Lombardo was the leader of probably the most commercially successful dance band of all time and active for more than 40 years. The band was named Guy Lombardo and His Royal Canadians. The Lombardo Brothers, Guy, Carmen, Lebert and Victor formed the band as youngsters in Canada and Guy was installed as leader. By 1925, they played vaudeville in Cleveland appearing at Lake Road Inn and other spots in the area. Next to New York then to Chicago followed by active recording for Columbia, Brunswick, Victor and Decca. Carmen wrote many of the arrangements, played lead saxophone and was principle vocalist. Brother Lebert was lead trumpet and Victor played baritone sax.
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Guy Lombardo & His Royal Canad - We Just Couldn't Say Goodby




P.S. A little bit scratchy vers la terminale but, mais "Au cheval donné on ne regarde pas la bride." Wink
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Tom Fogerty - Open The Window




Citation :
Mise en ligne le 15 mai 2011
Tom Fogerty, el increible Tom Fogerty, el Fogerty el más grande, el olvidado, el que pide reivindicación y ser puesto en el lugar que corresponde. Con todo el respeto y cariño de mi parte por su figura, su música y sus sueños donde estés Tom..., que los dioses te acompañen.
. Tom Fogerty, Tom Fogerty, the Fogerty incredible Mays or the largest, the forgotten, which requests claim and be put in place. With all due respect and affection of my party for her figure, their music and their dreams anywhere Tom..., accompanying to you by the gods...

Open the window & let in the mornin' light
I stand here alone & think of the lonely night
I remember the fight that we had
Why did I treat you so bad?
I feel so empty now without you

I looked at the sky & noticed a shade of blue
Makes me think of your eyes & wish I was holding you
When I think of the plans that we made
& all the dues that we paid
Life is so empty now without you

Bridge:
I go to the phone & I dial your number again
But it rings & it rings till it drops from my tremblin' hand
I put it back on the stand &
Look at your picture again

Open the window & let in the mornin' light
I stand here alone & think of the lonely night
When will I see you again?
Have I lost my only friend?
Life is so empty now without you
Life is so empty now without you

(instrumental)
(repeat bridge)
(repeat verse 3)
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Boogie Woogie Boy





******

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Paul Revere & the Raiders - Indian Reservation
 
Beautiful song this big hunk of notes de 1971 ; viva the gorgeous singer Paul Revere & the Raiders via les musiciens vachly non-terriens but extra-terriens; this kind of indian beat aura toujours ma préférence et je tire ma révérence à tous ceux qui savent jouer ainsi ... cheers for the big hit untitled Indian Reservation

Citation :
Paroles: 
Ils ont pris toute la Nation Cherokee
Et nous a mis sur cette réservation
A emporté nos modes de vie
Le tomahawk et l'arc et le couteau
Ils ont enlevé notre langue maternelle
Et apprend leur anglais à nos jeunes
Et toutes les perles que nous avons fait à la main
Sont aujourd'hui fabriqués au Japon
Peuple Cherokee, la tribu Cherokee
Si fiers de vivre, si fier de mourir
Ils ont pris toute la Nation indienne
Et nous verrouillé sur cette réservation
Et même si je porte une chemise et une cravate
Je suis encore un homme rouge à l'intérieur
Peuple Cherokee, la tribu Cherokee
Si fiers de vivre, si fier de mourir
Mais peut-être un jour quand ils apprendront
Cherokee Nation sera de retour
Sera de retour
Sera de retour
Sera de retour
Sera de retour
******



Paul Revere & The Raiders 2013
Don't Stop The Party from The Black Eyed Peas - Page 21 A_plum11


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Lou Reed - Walk On The Wild Side

Citation :
Mise en ligne le 19 nov. 2009
"Walk On The Wild Side" from Lou Reed's 1972 second solo album, Transformer, after leaving the Velvet Underground did not chart in the top 10 on Billboard. Some of the songs that year that did chart in the top 10 were: Gilbert O'Sullivan's "Alone Again (Naturally)," Mac Davis "Don't Get Hooked On Me," and Wayne Newton "Daddy Don't You Walk So Fast." I'd say "Walk On The Wild Side" is just as memorable, if not more so than those ones. My favorite part of the song is probably the saxophone solo at the end 3:44. 

To say the least, this song was highly controversial when it came out considering it is about transvestites who come to NYC for prostitution. They would say to their potential customers, "Take a walk on the wild side!" Lou Reed once said about the song: "I always thought it would be fun to introduce people to characters they maybe hadn't met before, or hadn't wanted to meet." What an amazing storyteller and lyrical genius Lou Reed was. 

Try to find another song from this time period where the artist talks about subjects such as "giving head," I doubt you can find another! He was writing about things that, frankly, almost no other artist at that time would even consider writing or singing about. Lou was well before his time, and has inspired countless artists from all genres. What a classic, classic song! Still no song like it to this day. What artist other than Lou could get away with lyrics like: "And the colored girls go doo do doo, doo do doo, doo do doo"?! The lyrics are way too clever and fun not to post in the description so here they are:

Lyrics:

Holly came from Miami, F.L.A.
Hitch-hiked her way across the U.S.A.
Plucked her eyebrows on the way
Shaved her legs and then he was a she
She says, 'Hey babe, take a walk on the wild side'
He said, 'Hey honey, take a walk on the wild side'

Candy came from out on the island
In the backroom she was everybody's darlin'
But she never lost her head
Even when she was giving head
She says, 'Hey babe, take a walk on the wild side'
He said, 'Hey babe, take a walk on the wild side'

And the colored girls go
Doo do doo, doo do doo, doo do doo

Little Joe never once gave it away
Everybody had to pay and pay
A hustle here and a hustle there
New York City's the place where they said
'Hey babe, take a walk on the wild side'
I said, 'Hey Joe, take a walk on the wild side'

Sugar plum fairy came and hit the streets
Lookin' for soul food and a place to eat
Went to the Apollo, you should've seen 'em go go go
They said, 'Hey sugar, take a walk on the wild side'
I said, 'Hey babe, take a walk on the wild side'
Alright, huh

Jackie is just speeding away
Thought she was James Dean for a day
Then I guess she had to crash
Valium would have helped that bash
She said, 'Hey babe, take a walk on the wild side'
I said, 'Hey honey, take a walk on the wild side'

And the colored girls say
Doo do doo, doo do doo, doo do doo
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David Bowie - Ashes to Ashes 



Citation :
Mise en ligne le 25 mai 2010
"Ashes to Ashes" is a single by David Bowie, released in 1980. It made #1 in the UK and was the first cut from the Scary Monsters (and Super Creeps) album, also a #1 hit. As well as its musical qualities, it is noted for its innovative video, directed by Bowie and David Mallet. The lyrics revisit Bowie's Major Tom character from "Space Oddity", which he referenced once again in 1996 with "Hallo Spaceboy". Bowie has said that with "Ashes to Ashes" he was, "wrapping up the seventies really for myself, and that seemed a good enough epitaph for it".
http://en.wikipedia.org/wiki/Ashes_to...)


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Miles Davis - I Fall in Love Too Easily






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Mise en ligne le 10 juil. 2011
From 1963 album "Seven Steps to Heaven"
*****
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Marquise des Loups


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Marquise des Loups
Othelliste
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Marquise des Loups


Nombre de messages : 3428
Localisation : Wolfmoon Island; île aux brèves idylles annotées avec de verts stylos subtils aux pointes écolos dégradables inimitables...
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Marquise des Loups
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Nombre de messages : 3428
Localisation : Wolfmoon Island; île aux brèves idylles annotées avec de verts stylos subtils aux pointes écolos dégradables inimitables...
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Localisation : Wolfmoon Island; île aux brèves idylles annotées avec de verts stylos subtils aux pointes écolos dégradables inimitables...
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